Writing Wisdom

July 20, 2010

A Dan Piraro cartoon in Parade showed a medium sitting across a table from a customer with a netbook computer in front of her, and she’s saying: “We don’t use a crystal ball anymore. We just Google you.”

An editor interested in buying your book will Google you to get a sense of your presence online. Instead of a crystal ball, they’ll use a computer-generated profit-and-loss statement, along with feedback from colleagues, to help justify buying your book.

What wisdom about writing can I offer that will help you convince editors to say yes to your book? One or a series of books could be written about the wisdom you can gain from doing a job or practicing an art or skill. Some examples:

Biking

  • Riding uphill is harder, downhill more dangerous.
  • You have to know your bike, yourself, and the territory.
  • You have to expect the unexpected at any second.

Photography

  • You have to be the right distance from your subject.
  • You have to balance color, foreground and background, tension and harmony, and the elements in a composition to create unity.
  • Knowing how to use your camera will help increase your creativity.

Driving a Taxi

  • You have to look at what’s around you but also in the distance both for traffic and for passengers.
  • You will have slow and busy periods.
  • You will have good and bad luck; you hope that they will balance each other.

Writing

  • Reading is the doorway to writing.
  • The best reason to write is that you must.
  • You have to capture readers’ interest immediately and keep it as long as it takes them to finish your book.
  • If you have a problem with your writing, focus on something else, and your subconscious usually provides the solution.
  • Your proposal or manuscript is finished only when the people you share it with can’t figure out how to help you improve it.
  • You need mentors to supplement your learning about writing, agents, promotion, technology, and publishing.
  • The models for your books and career will light the way until you’re ready to find your unique path.
  • You have to maximize the value of your book before you seek and agent or publisher by test-marketing it, building your platform and communities of fans, and developing a promotion plan.
  • Promotion is more challenging than writing.
  • The writing you do about your writing is as important as the writing itself (Katharine Sands).
  • Publishers and literary agents are eager to find new writers as new writers are to be discovered.
  • Your passion for writing and sharing your work will see you through the challenges of being an author.
  • You will meet those challenges more easily if you’re clear about your short-  and long-term personal and professional goals.
  • You will succeed if you persevere, and the harder it is to achieve success, the more satisfying it will be.
  • And as I mentioned in the previous post, luck has a lot to do with a book’s success.

I found one of my favorite pieces of wisdom on a cloth bag that Workman Publishing gave away one year at BEA: “The more you garden, the more you grow.” You can grow by acquiring wisdom from any endeavor and you can apply it to writing. The more conscientious you are, the more you’ll learn. May you have all the luck you want, and may the wisdom above speed you on your way.

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Engaging Your Readers for Life

June 9, 2010

New York is a city where something exciting is going on all the time, most of it unsolved.

–Johnny Carson

Elizabeth and I are back from BookExpoAmerica and meeting editors in New York, and solving the mystery of why we go is easy. May in Manhattan heats up by the end of the month, but it’s a delightful time of year to be in the Big Apple.

The cozy, funky basement apartment we rent in a federal brick building on a quiet, tree-lined street in the West Village makes an enjoyable oasis from which to visit editors, promote our conferences, and meet with friends and family. (We also saw the wonderful production of Stephen Sondheim’s A Little Night Music with Angela Lansbury and Catherine Zeta Jones.)

Going to BEA is the only way to get a sense of the state of publishing in one place. In addition to booths on the floor of the huge Javits Center showcasing publishers’ fall books, there are signings, free galleys, talks by authors, and panels on subjects of interest to publishers and booksellers.

Thanks to our marketing director Barbara Santos and the BEA, we had a booth for the San Francisco Writing for Change Conference (November 13-14, 2010; keynoters: Dan Millman and John Robbins; www.sfwritingforchange.org), and the San Francisco Writers Conference (February 18-20, 2011; keynoters: Dorothy Allison and David Morrell; www.sfwriters.org).

BEA was more upbeat this year than last, reflecting the improving economy. Even with 22,000 attendees, the convention is an annual reunion, because there are people, including out-of-New-York editors we only run into at BEA, as well as the unexpected pleasures of meeting people from around the country in a line, at a panel, or at an author breakfast. Booksellers and publishing people are in the business because they want to be, so their shared passion unites them as members of the family of the book.

Attending BEA, at least once, is a valuable experience for writers. It gives you a perspective you can’t get elsewhere on the business and the enormous flow of books into which yours will merge.

When we first went in the late sixties, it was held in the Shoreham Hotel in Washington, D.C. on the steamy Memorial Day Weekend. The holidays have always been the most profitable time of year for booksellers, so publishers used the convention to promote their fall books. Publishers had book jackets spread out on tables and special offers for  booksellers who ordered at the convention. I remember the air conditioning failing, but it was a bustling, relatively small event that gave independent booksellers the chance to meet with publishers.

The word from this year’s convention that stuck with me and will help you is engagement, because building communities has become as essential as writing, promotion, and having a platform. The web enables you to become engaged with potential book buyers who see whatever you choose to send forth into cyberspace: your site, your blog, your articles or short stories, your videos, your podcasts, and your profile and comments in social media and elsewhere.

Engaging a growing community of people you want to read your books is one of the web’s greatest opportunities for writers. Go get engaged. Your readers are waiting for you. Some of them will become life-long fans.